1/2/2024 0 Comments Views of rome piranesi![]() Rear View of the Temple of Pola in Istria. Those new to Rome in his time would have found a city different than the one represented in his Vedute de Roma, or Views of Rome, which made creative use of.Ampitheater of Pola in Istria near the sea, plate 23 from Some Views of Triumphal Arches and other monuments, 1748.Arch of Pola in Istria near the Gate, plate 24 from Some Views of Triumphal Arches and other monuments, 1748.Ampitheater of Verona, plate 25 from Some Views of Triumphal Arches and other monuments, 1748.Temple of Clitumnus between Foligno and Spoleto, plate 26 from Some Views of Triumphal Arches and other monuments, 1748.Tomb of the three Curiatii brothers in Albano, plate 27 from Some Views of Triumphal Arches and other monuments, 1748.Arch of Trajan in Ancona, plate 28 from Some Views of Triumphal Arches and other monuments, 1748.Interior view of the Colosseum, from Views of Rome, 1766, published 1807–35.View of the Arch of Constantine, from Views of Rome, 1771, published 1800–07.View of the ancient structure built by Tarquinius Superbus called the Bel Lido, and like others, built by Marcus Agrippa in the time of Augustus when he cleaned all of the sewers leading to the Tiber, from Views of Rome, 1776, published 1800–07.Tomb of Caecilia Metella, from Views of Rome, 1762, published 1800–07.Piranesi, Fellow of the Royal Society of Antiquaries, London, 1762 candidate, Department of Art History Giovanni Battista Piranesi (1720-1778) was one of the great masters, along with Rembrandt and Goya, of the highly demanding medium of etching. ![]()
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